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Framed Signed Albums / Guns N’ Roses / Guns N’ Roses – Appetite for Destruction rape scene

Guns N’ Roses – Appetite For Destruction Rape Scene

Hand signed by: W. Axl Rose – Slash – Duff McKagen – Izzy Stradlin – Steve Adler

Custom Designed Award Style with Genuine RIAA Platinum Award Album

Measures: 30” x 40” x 2”

The album’s original cover art, based on Robert Williams’ painting “Appetite for Destruction”, depicted a robotic rapist about to be punished by a metal avenger. After several music retailers refused to stock the album, the label compromised and put the controversial cover art inside, replacing it with an image depicting a cross and skulls of the five band members (designed by Billy White Jr., originally as a tattoo), each skull representing one member of the band: Izzy Stradlin, top skull; Steven Adler, left skull; Axl Rose, center skull; Duff McKagan, right skull; and Slash, bottom skull. The photographs used for the back of the album and liner notes were taken by Robert John, Marc Canter, Jack Lue, Leonard McCardie, and Greg Freeman. The original cover was supposed to be on the 2008 re-pressing of the vinyl, though the record label replaced it with the “Skulls” art at the last minute.   The re-pressing of the vinyl, though, is the first Guns N’ Roses release to have the Parental Advisory label printed on the artwork; previously, like on the CD, this was a sticker on the cellophane wrap and later (on the CD and cassette releases) on the case itself.

In albums which were issued on double sided media (vinyl records and audio cassettes) the two sides were not conventionally labeled “A” and “B”, but “G” and “R”. Tracks 1–6 which compose side “G” all deal with drugs and hard life in the big city (“Guns” side). The remaining tracks, which compose side “R”, all deal with love, sex and relationships (“Roses” side).

In an interview with That Metal Show in 2011, Axl stated his original idea for the cover art was to be the photo of the Space Shuttle Challenger exploding, which was on the cover of Time Magazine in 1986, but Geffen refused it saying it was “in bad taste”.


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